Posted by christine on Feb 1, 2010 in
Miscellaneous
As my colleague Adam Vary has reported from the scene, The Hurt Locker’s Kathryn Bigelow won the Directors Guild prize last night, over Avatar’s James Cameron. For many people, the outcome is a surprise: Two of the smartest Oscar experts in my mind, like Tom O’Neil at Gold Derby and Kris Tapley at InContention, both 

Posted by christine on Feb 1, 2010 in
Miscellaneous
Pauly Fuemana, 40, the New Zealand singer who recorded under the moniker OMC, died on Sunday after a short illness, according to Reuters. OMC is best known for the 1995 hit “How Bizarre,” which released internationally the next year, reaching No. 1 in eight countries, including Canada, Australia, and Ireland, and No. 4 in the U.S. Feumana never again 

Posted by christine on Feb 1, 2010 in
Miscellaneous
In my introductory post this year from the Sundance Film Festival — the first Sundance to be presided over by newly appointed festival director John Cooper, pictured at left — I said that the real test, the only test, for the Cooper era wouldn’t be the festival’s novel display of bells and whistles: the NEXT 
Posted by christine on Feb 1, 2010 in
Miscellaneous
Well, Mel Gibson has joined Denzel Washington and Dwayne Johnson on the list of stars that couldn’t stand up to Avatar’s box-office might. The film on track to cross Titanic’s domestic gross of $600 million in mere days took the top spot again this weekend, falling just 14 percent, which is a smaller drop-off than 

Posted by christine on Feb 1, 2010 in
Miscellaneous
When I heard that Justin Timberlake turns 29 today, I panicked. I totally forgot to buy him something! But what does a person get for the guy who has everything? A new pair of snazzy glasses? A round of golf at a Dubai course shaped like his own face*? An agreement to never speak the name 

Posted by christine on Feb 1, 2010 in
Miscellaneous
Album Of The Year I Am…Sasha Fierce, Beyoncé The E.N.D., The Black Eyed Peas The Fame, Lady Gaga Big Whiskey And The GrooGrux King, Dave …
Posted by christine on Feb 1, 2010 in
Miscellaneous
Taylor Swift’s ”Fearless” wins Album of the Year; see the list of all the major honorees at Sunday’s ceremony
Posted by christine on Feb 1, 2010 in
Miscellaneous
The Grammy for Album of the Year just went to Taylor Swift’s Fearless. That doesn’t quite count as a shocking upset, given how popular Swift is in the music biz (and the real world), but it’s still not the result that everyone foresaw. For instance, in light of the Recording Academy’s typical preference for established 

Posted by christine on Feb 1, 2010 in
Music
So you?re a musician that just recorded your first album. You probably went into a recording studio and played all of your parts a couple of times, with the audio engineer handling all of the technical stuff. As far as you know, they should be able to take all the parts they recorded, burn it to a disc, and then it should be ready to press. While this isn?t completely wrong, most professional musicians take their mixed down recording and pass it off to someone else for mastering.
What is mastering?
Mastering is the final step in the production of an album where they add the final ?polish? to the recording. This is done by technically enhancing the clarity of the mixes. This makes the compilation of songs sound more coherent, more ?together?. This also ensures that the mixes sound well on all listening devices.
Well, that?s all fine and dandy, but does a professional mastering technician do when mastering a recording?
1. Volume Level Maximization
This is to make sure that all audio is at maximum volume, so that all songs are at the same volume level. Ever watch late night TV, where the volume of the commercials are a couple notches higher than the show you were watching? If a professional mastering engineer was involved, they would raise the volume of TV show to match the volume of the commercials.
2. Ensuring a Consistent Balance of Frequencies
This ensures that all frequencies are accounted for in the recording; bass, mids, and treble, so that there are no areas where there is no bass/mids/treble.
3. Noise Reduction
This is the process of removing noise from an audio signal. When using analog technology, sound recordings exhibit a type of noise known as tape hiss. This is related to the particle size and texture used in the magnetic emulsion that is sprayed on the recording media, and also to the relative tape velocity across the tape heads.
4. Encoding
A professional mastering lab may also take your recording and encode the UPC (Universal Product Code), ISRC (International Standard Recording Code), CD Text (additional information about the CD, e.g. album name, song name, and artist name) or other PQ information.
5. Error Checking
This ensures the integrity of the data stream during CD duplication / replication at any CD manufacturing plant.
Still confused about what a professional mastering engineer does to your CD audio recording when you hand it off to them? Don?t worry, audio mastering is a very complicated process. I just hope that you better understand why professional mastering is an integral part of the whole audio production process. It can make a world of difference!